RRR Movie Review: This Is What Every 'Grand' Film Has Tried To Be But Hasn't Been Because We Only Have One SS Rajamouli!
Make this your first movie, even if you've never seen one before!
RRR Movie Review Score:
Ram Charan, Jr NTR, Olivia Morris, Alia Bhatt, Ajay Devgn, Alison Doody, Ray Stevenson, Shriya Saran are among the cast members.
What's Great: The ambition that shines through from the first scene to the last, the pushing of boundaries of 'how far can you stretch?' because you'd envision the most outlandish result for a situation, but Rajamouli would go one step farther!
What's Wrong: Some people would watch this on their televisions; I understand that not everyone has this privilege, but if you have, choose the greatest screen you can.
SS Rajamouli is the director.
I'd still advise you to watch this on an empty stomach to avoid breaks, even though it's 3 hours long.
Should You Watch or Should You Not Watch? Make this your first movie, even if you've never seen one before!
Theatrical Release is available.
186-minute runtime
User Review:
Please give this a rating.
Before you read what the narrative is about, believe me when I say that it will sound like any other 'brutal Brits VS cunning Indians' scenario, in which a White family kidnaps a Mali child because, well, why not? They've always done this, and what they've always done is exact revenge on them, but trust me, it's never been as spectacular as this.
So, now you know the basic plot: Bheem (Jr NTR) protects the kid kidnapped from a poor Indian family; as the film indicates, there is a herdsman for every group, and the Brits chose the wrong one to meddle with.
Bheem battles with Ram (Ram Charan) and becomes his BFF without realising he's a British government agent. Ram is the type of officer who works even on weekends to keep his boss happy, but he has just one desire:'vengeance,' for why else would an Indian attain such a high rank in the British army?
Despite the fact that Ram is a disgruntled employee of the corporation, he devises a strategy to gain their trust, and in doing so, he treats Bheem badly. Bheem wants Mali, Ram wants vengeance, and you'll need to catch your breath to absorb the last three hours of your life.
RRR Script Analysis and Review
Every commercial masala film before this has aspired to be larger-than-life in some way, but SS Rajamouli has consistently accomplished this feat with his vision, and RRR is no exception.This is another classic Rajamouli scenario in which the screenplay triumphs over everything, including the storey (by K. V. Vijayendra Prasad), which suffers from its 186-minute timeframe. No, it doesn't feel like a three-hour movie, but it does have some fast-paced moments in the second half. The past and present of Bheem and Ram are built slowly by Prasad ji's plot, but it's Rajamouli's screenplay that lends the 'big' to the film's 'larger than life' treatment. Prasad Ji has created the most lauded entry sequences for both Jr and Ram, and has raised the standard to a level that only Rajamouli can match.
All of this, combined with cinematography by K. K. Senthil Kumar, makes it feel like a cosmic magical act is being done on stage. Even when there isn't much tension in the scene, Senthil just uses ultra-wide zoom-out aerial shots to connect two scenes.
RRR Film Review: A Star-Studded Performance
Ram Charan pulls off a convincing blend of style and substance as a lovely Indian in a pre-independence British force. Prasad now has the best 'one vs many' fight sequences in Indian cinema, thanks to Rajamouli. I'd even go so far as to say it's better than Jon Snow's 'The Battle Of Bast*rds' from Game Of Thrones, and you may judge me on that, but first watch it.
In the film, Jr NTR is the brains behind Ram. He demonstrates how to use brute power in one moment and then turn around and be equally tragic in another. Jr NTR's performance throughout the film reminded me of how much Aamir Khan would love to play such parts.
Alia Bhatt and Ajay Devgn do a decent job in their cameo roles. It's as if this could have been done without them, but having them is preferable. Ray Stevenson, Olivia Morris, and Alison Doody
Review of the film RRR: Direction and Music
Despite a poorer main storey, I'd choose RRR over Baahubali because the amount of chances it takes is far larger, and the manner it captures you for 3 hours is considerably more refined. By the climax, Rajamouli has given you so many high-octane, adrenaline-pumping sequences that you'll agree with my declaration that you're watching the MOST INDIAN CINEMA on-screen.
MM Kreem completes the mystical triad of Rajamouli-Prasad-Kreem by providing a'seat shaking' experience while also caring for your ears and heart chords. Normally, a film of this calibre neglects to sound as well as look nice, but with Kreem on board, you can just sit back and milk the cream (okay, I was very tempted to do that).
The Last Word (RRR Film Review)
After all is said and done, RRR is what every 'great' picture before it aspired to be but couldn't since there's only one SS Rajamouli. This lives up to the buzz of 'what's next after Baahubali?' while also exceeding my expectations.
